Tag Archives: Ted Berryman

Stories My Father Never Told Me

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Aivazovsky_-_Strong_WindMine is not a family of storytellers. I don’t know what my father did in World War II. I don’t know if his heart skipped a beat the first time he saw his future wife, my mother. I don’t know if there was an instant he doubted he would live when his sailboat was torn to toothpicks in a hurricane a mile off the Florida coast. That was an event. But he never made it a story to pass on to his children. And so I don’t know why or how he made it to shore across a mile of stormy seas, only that he did.

It might sound funny to wonder why he survived. But plenty of people wouldn’t have made it. Even people with the swimming skills and physical strength to make it. You also need a powerful will to live and the courage to face what look like insurmountable odds. He was sailing solo, so there was no one else to help make the decision to ride out the storm with the ship or to brave the raging seas. There was no easier choice to just follow someone else’s lead. Decisions don’t come any harder than the ones he had to make in his life. This was only foreshadowing what was to come. Stormy SeasDid he quickly calculate his odds and swim for shore as soon as he saw the boat was foundering, or did he try to hold her together till there was no hope left, braving seas that were by that time dramatically worse to try and save the boat he had lovingly built by hand? Did he risk going down with the ship by groping frantically through rising waters in the below-deck cabin for one treasured belonging he couldn’t bear to leave behind? If he did, what was so valuable that he risked his life over retrieving it? And when he reached shore did he walk away unscathed, or were his nights haunted with nightmares of drowning? A sea of churning water stood between him and life on that…that what? I don’t even know if it was night or day. Either way, he lived to not tell about it.

As a child I one time skipped down barefoot onto a gnarl of fish hook cactus that lodged deep in the sole of my foot. My father came toward me to take it out and I warned him away with screams and tears. He laughed and asked if I intended to leave it there forever. Without an ounce of bravery, I had to think about it for a minute. If it had been me in that sinking boat, the smallest doubt of whether I could swim over raging seas and make it to land alive would have had me clutching to the last bit of floating debris of that boat like it was God Himself, and only He could save me from being swallowed by the sea. My fate would rest on how buoyant my bit of detritus was. I would use all my strength trying to make that shard of timber float, unable to trust my ability to survive a swim to shore.

Cast up by the Sea - Winslow HomerNo such complications for my father. All my life he whistled while he shaved, sang while he worked, and went about his business with good cheer. Each day was a new opportunity to enjoy life, and whatever stories his past held, that’s where they stayed. When I grew up and became interested in him as a person as well as a father, one day I asked how he had the sheer guts and strength to get up and go back to work shortly after breaking his back and being paralyzed (for life) at 35. All he said was, “I had to, I had a family to feed.” Those words were plenty to tell me what he was made of, but I wanted all the elements of plot. I wanted the how and the why, and the who, what, and where. And yet I didn’t have the guts to ask.

I wasn’t born yet when he fell off the roof of their new home and into a wheelbarrow, but I hurt to even think of all the crashing of bones and nerves and hearts and hopes and dreams that started when his body came freefalling onto the edge of that wheelbarrow spine-first. I wonder about the pain, how scared he must have been, how dashed his dreams, how fearful for his future, no less his pregnant wife’s and two young sons’.

In the hospital after his injury doctors tickled his feet. They poked his calves and pressed their fingers into his thighs. Nothing. No feeling. So they wouldn’t operate. They said it was no use. My grandmother stormed the hospital and they relented, slicing a 14-inch gash down his back. They poked around a bit, sewed him back up, and said, “Yep. He’ll never walk again.” He didn’t talk for a month. Then he dragged himself out of the hospital, stuffed his bodycasted self in the family Jeep with my mother and brothers, and said goodbye to their new home in Denver. They couldn’t think clearly there. They needed to re-gather their lives within the familiarity of the house they still owned in California, among loving family and concerned friends. For the next six months he taught himself to walk with a complex series of movements that began with swinging his hips and legs forward with the strength of his glutes. When his uncle, Pappy we called him, told him it was time to saw off his body cast and see what he had, that’s what he did. After fits and starts he began walking with two canes, then one, then finally none. Still with no feeling below his hips. But it was something. A miracle of the will.

After the injury he developed other strengths. His arms could hold all us children at once. His calm could make any problem, however seemingly tragic at first, suddenly approachable. His courage could hold the weight of all our worlds on his shoulders. But part of that courage came by refusing to consider himself in any way but like everybody else. He simply refused to treat himself as paralyzed, and damned if anyone else would dare. So if I asked even the most innocuous question about his injury, would opening up and talking about it, satisfying his cherished daughter’s curiosity, open a hole that let all that long-ago pain come rushing back? I wouldn’t risk it.

Harrrison - Ocean NocturneThat’s what I know. And I wouldn’t ask him for more. It wasn’t really lack of courage that stopped me from asking. I know that now. It was respect. Every day my father lived his life as a man with full use of his body would. He never gave in to physical limitations, never mind self-pity. He would not use handicap parking spaces. He coached and umpired Pony League baseball. He climbed on roofs and pounded them with sheets of shingles whenever that needed to be done, and I doubt he ever considered that irony.

He was a man of few words and was a firm believer that the value of a person’s life is in his deeds. That didn’t make him hard. Quite the opposite. He knew what a man is capable of. But he also knew how a man can suffer. Just seeing my father and what he did every day was enough to tell me the worth of the man. I didn’t need to know how he made it to shore to know he was strong. I didn’t need to know what he did in the war to know he was brave.

All this happened. And it affected our lives in unimaginable ways. In aggregate the consequences of that accident hurled our little family off orbit. He spent months at a time in the hospital because of internal injuries and infections and other complications. My mother tried to hold it all together, keeping house and feeding and caring for her three beloved children plus being a more intimate nurse to her husband than she could have ever dreamed of. But her struggles are a different story. The family is still trying to regain its balance now, a decade after he’s gone and well into his grandchildren’s adulthood. We’ll make it. In another generation the pain won’t even be a memory. But the family will be strong. Partly because he refused to let us be weak.

When he was late into his 70’s, on kidney dialysis for some kind of a record dozen years, his speech a little slurred from mini-strokes and body wasted by decades of the complications of paralysis, it finally occurred to me that he was not immortal. I asked him to write his life story. I wanted to know whatever stories he wished to share with me. He said he would, and so he spent his days at dialysis filling notebooks. His hands weakened and his handwriting deteriorated. We got him a dictation recorder, but he didn’t want to bother his fellow dialysees. So he went on with the notebooks, filling them with barely legible sentences and paragraphs and pages, pouring out his life with clearly apparent joy at what he had lived. He started with his grandparents, describing their lives, and four yellow-lined legal notebooks later he ended with his own early adulthood. That’s as far as he got before passing away on August 31, 1997, at 1:55 in the morning.

He never got to the part about the sailboat. But that’s alright. I know everything that’s important about my father.

Art - Winslow Homer - Sunset Fires

The Only Photo of My Mother’s Childhood

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Mine is not a family of photographers. We don’t click pictures of every party or parade. We don’t all put on white shirts and jeans to sit on rocks at the beach for annual family portraits. We don’t even usually remember to document landmark events like birthdays, graduations, or meals that aren’t burnt. That requires a certain kind of self-consciousness that we’re short on. It may have originated with my grandfather, who rejected the “bourgeois life of Wall Street” and moved his family into a utopian community in the 1930s.

Whole decades are missing from our family’s life in pictures. I never thought about it much, but now that I’m older I’m beginning to think not just about where our family is going, but where it’s been. We humans nearly always feel that inexplicable connection with the homelands of our ancestors, and with our “roots.” We know there is a genetic imperative to favor family, but it’s more than that. There’s a sense of grounding, of the permanence, even immortality that comes from seeing the long line of ancestors that reaches behind you, then panning forward we can see that same line extending into the future and on over the horizon.

My family is probably better at knowing we’re related to, say, Sir Isaac Newton or steamship builder Robert Fulton, than we are at knowing our immediate ancestors. Thankfully, my father’s long-gone mother documented his every childhood phase. Flipping though the photo album I see him posed in his christening gown, a page later in his velvet Little Lord Fauntleroy suit, then bundled in funny little coat and ready to go outside, then I flip the page and there he is with old Nell, the harness horse that pulled his grandfather’s buggy. In all these posed photos he was with his usually identically dressed fraternal twin brother.

But my mother? Fugedaboudit. I never saw a picture of her as a child. The earliest photo of her must be around age 22 or 23, and even then it’s just a snapshot from a distance far enough to have to look close to see it’s her. Of the few photos I have of her before age 45, none show a clear view of her face. This one, of her and my older brother as a baby, is typical:

Ruth Berryman and Teddy c. 1944I don’t care how good your photo editing software is, you’re not going to find my mother’s face in there. Which is why my heart skipped a beat when I peered into a tiny two inch by three inch photo of my aunt and her toddler boy and there, in the shadowed background, was a figure that might have been my mother. Might have been. As in, I felt a glimmer of hope. Aunt Ola is front and center in the photo. She’s in the yard of her parents’ Shenandoah, Virginia house, all smiles and looking modern in her short skirt, flapper cloche and baby Ray in her arms. He’s wearing his jumper with the big buttons and white shirt, high socks, and his Buster Browns. There’s a Model something-or-other Ford in the driveway behind them. I’ve had the photo for years but never stopped to examine it because, well, it was Aunt Ola, not my mom, and that figure in the background was too faint to see much of. This is what the photo looked like to me. Like I have glaucoma:

Ola Grimsley, my aunt, holding baby Ray at home of her parents, Tom and Florence Collier, in about 1930. Ruth Merica, my mother, is on the porch in background

No, the borders aren’t really that dark, but this is exactly how the photo felt every time I glanced through the album. Then a few weeks ago I decided to restore some of our old photos and get copies to other family members. I brought out the album for the first time in quite a few years and looked at the pictures with the idea that the newest restoring and retouching programs could correct some of their problems. I took another look at the photo of Aunt Ola and baby Ray.

Ola Grimsley, my aunt, holding baby Ray at home of her parents, Tom and Florence Collier, in about 1930. Ruth Merica, my mother, is on the porch in background

Could that be my mother? I had to move the lamp to spotlight the photo. I rested the heavy-handled and usually only decorative magnifying glass onto the edge of my keyboard, and practically stopped breathing to get an unblurred view. But yes, I was certain, that is my mother! I imagined she had just been out playing in the summer fields somewhere, maybe playing hide and seek with her Cardin cousins down at the corner. More likely she was with her mother in the garden. Unlike her sisters, she liked be out there digging holes with a hoe while her mother came along behind planting beans or peas. Or going along the bean rows with a stick in her right hand to knock worms off the leaves, dropping them into the pan she carried in her left hand.

Sometimes she climbed up into the big green gauge plum tree while her mother worked below. It was cool amid the leaves, and she liked to eat plums and watch her brothers out in the fields. Or sometimes she went in the kitchen and brought out the salt shaker, then poked around for the biggest, reddest, juiciest tomato, licking its silky skin so the salt would stick, then biting into its warm flesh till juice spilled down her chin and onto the front of her dress. No mind. Gardening is dirty work, and that’s what old clothes are for.

Whatever she was doing, it wasn’t being the star of any photograph. She may have looked up from whatever she was doing and seen Ola, her autocratic oldest sister, looking like the center of attention with her baby boy and having her photo taken by her husband, Raymond. Mom probably thought, oh no you don’t, it’s not just you and Ray and Raymond. I’m here too.” So she skipped up to the porch in her little black slippers, leaned over the rail, and smiled for the camera. 

I sent the photo to an expert photo restoration artist and asked her to give it all she’s got. A day later she emailed me back this:Ruthy_Merica_c.1930

The thick brunette hair and something about that barely-visible face told me this might be the one and only photo that exists of my mother as a child, this half-lit figure peering over the porch railing, crowding into a photo that isn’t supposed to be of her. She looks about nine or ten. The camera is oblivious of her, but she’s smiling for the photographer like the beauty queen she would later be. I’d recognize that alabaster skin anywhere. Her mother made her carry a sun parasol whenever she was out in the sun. And her gorgeous hair. She wore it shoulder length into her early 50s, and it always fell across her forehead in cascades of soft waves. She told me about those slippers too. Her father bought them for her before a church recital, and she loved the dainty little things. So different from the lace-up boots with thick stockings that she wore all winter. I don’t know anything about that old dress, except that the last duty for any bit of clothing, before being torn up for rags and rag rugs, was for wearing to do work like cleaning and gardening. 

This is the one picture to the thousands of words in the stories my mother has told me. The tomatoes and the plums and the bossy sister and the pretty slippers and the seed sack dresses and happy summers. It gives evidence to more than the stories too: To my experience of her smile and her soft hair and her impish humor. I am now the proud owner of exactly one photograph of my mother’s childhood. But that’s all I need, just the one.